This is a quick way to reshape a sample into the characteristics of another sample, which can help with layering similar sounds together. There is even an option to Analyze Audio File, which will draw in an envelope for you that is based on a sample of your choice from your computer. YouвЂ™ll also be able to save your own presets as state files as well. There is also a drop down menu of envelope presets. Here you can alter the volume or panning with attack, decay, sustain and release. This will randomly trigger layers as you play the pad.Д«elow the samples is the envelope control for the selected pad. Without it selected, you can overlap the layers and select the dot on the far right side to Randomize any overlapping layers. The dot next to that is the option to lock the layers to keep their velocities from overlapping each one. By loading up two or more samples, you can choose to spread the triggers evenly by clicking Spread Even. Sample has the same three knobs located in the main tool bar to change the volume, panning or pitch for that individual sample. The up/down arrows select each sample, or you can simply click the number next to each sample row to select it. Use the Create or Delete options to add or remove samples. Remember, you can also add your own MIDI loops to this folder and even edit the MIDI of any of these presets and save them as new loops.Д«elow the main tool bar, youвЂ™ll see the samples section for the selected pad. Use the left and right arrows to quickly browse through the loops. You can load new MIDI loops through the folder icon or the drop down menu. These presets will add MIDI drum loops to the piano roll of your FPC channel.

You can use negative or positive values to send pads to mixer tracks before or after the track your FPC is currently on.ДЄbove the tool bar, youвЂ™ll see the MIDI Loop section. Whatever mixer track you have FPC sent to will be considered the Output - starting point. The Output will send that pad to its own mixer track. ThatвЂ™s typically used for imitating the sound of a hi-hat opening and closing with the closed hi hat pad cutting off the open hi hat pad, which is what happens on a real drum kit. The Cut and Cut By options are useful for stopping a pad from playing while another pad is triggered.

By clicking on the assigned MIDI Note, youвЂ™ll have the option to remap the pad to any note on your controller. Next, to those knobs are mute, solo and the option to scale the volume according to velocity, which helps any MIDI input sound and feel more natural as youвЂ™re performing with your controller.

The three knobs on the main tool bar will edit the volume, panning and pitch of the selected pad. By selecting the pad, you can edit any of these options through the main tool bar settings. These presets will already have the drums labeled, colorized, mapped and spread through the velocity scale for you. You can load the kits through the presets menu. FPC comes with an assortment of kits with these type of sample recordings. This allows you to have a more realistic sounding performance by incorporating samples that were recorded with a range of drum hits on the same drum. The great thing about FPC is its ability to layer drum sounds and triggering each sample according to velocity. These presets can be accessed through the drop down menu next to the pad selector. It also has a handful of controller presets, which include FL StudioвЂ™s new Fire controller. ItвЂ™s loaded with drum samples and MIDI loops that can instantly deliver the type of tracks you might be looking for. It contains two banks of 16 pads that can be mapped to any MIDI controller.

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